This project for an exhibition at the San Jose Quilts and Textile Museum is going slower than I anticipated — partially due to the size of the quilt, but more because of the complexity. There many small details in the landscape that have to be sewn separately, and I have to be careful about which order to sew them so they don’t bubble up or go all wonky.

Quilting in the studio

As always, I am fascinated by the abstract designs being formed on the back of the quilt, so even though it’s slow — it’s an enjoyable process.

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