This project for an exhibition at the San Jose Quilts and Textile Museum is going slower than I anticipated — partially due to the size of the quilt, but more because of the complexity. There many small details in the landscape that have to be sewn separately, and I have to be careful about which order to sew them so they don’t bubble up or go all wonky.
As always, I am fascinated by the abstract designs being formed on the back of the quilt, so even though it’s slow — it’s an enjoyable process.
Here’s a quickie project that was fun to make. I had a small quilt that I liked, but never finished. So I cut my favorite part outÂ — the swoopy loop stitching — backed it with two pieces of fabric and zig-zagged around the edges.
Inside it has a pencil pocket, ribbon page marker and an office calendar that I’m using for this year’s gratitude journal.
My friend Merrilee makes beautiful covers like this, except hers are nicely turned and neatly finished. This version was definitely more impromptu — didn’t even think of adding the velcro closure until the very end (and yes it would have been better to plan ahead!)
Well, I thought I was tough anyway, sweating it out all summer in my studio with no air conditioning. But truthfully, it has been a mild summer…..until last weekend. Finally it got so hot, and add to that no windows to vent all the heat of my overhead lights and an iron that is constantly on HOT, that I knuckled and resorted to my emergency heat evacuation plan.
I moved my sewing machines to the newly redone gallery, love that bamboo floor! But even better, the now all-white walls and big open space. Formerly a meeting room and kitchen, we redesigned this room to be more of a multi-purpose room, and now it seems a wise investment.
The lighting’s not as even as my studio, but it’s cool! And I have all sorts of interesting new thoughts when I look up from my sewing and see the Russ RuBert beautiful sculptures. What a yummy place to work!