When I go to videotape an event, I usually sit on the back row or in an aisle seat so I can easily get up and down as needed. The other day at the Creamery Arts Center, I sat in the back, only to be delighted to have the opportunity to draw some wonderful hairstyles while I was waiting for an event to start. Hair is hard to draw, so I’m working on it!
It’s kind of embarrassing how many half-filled sketchbooks of all shapes and sizes that I have laying around. As I’ve gotten more in the habit drawing, I tend to pick one up and carry it around in my purse for a while, then lose it in a stack of books.Â Then start another.
Before now, I never much cared about the lack of continuity, but on this last trip I did so many drawings I was wishing that I had dedicated a new book to it — so that I would have one of those cool travel art journals I see in art books and magazines.
Then I did a few drawings of this family, but messed up the page in between — and had the idea to cut it out, leaving the only the dad’s hand, kind of like a pop-up book.Â And that was that. Started cutting up the whole thing.
Moleskine sketchbooks are great because you can cut the threads between signatures and scrape the glue off the back, and have a nice open page. I’ve done this before to frame some sketches, but have never tried to reassemble them into a new book. Now I’m in a quandry how to resolve this.
And I’m noticing how some of my ideas are scattered across many sketchbooks in a very disorganized way and wishing I had a way to keep certain project ideas together.
How about you? Ever cut up your sketchbooks, or do you dedicate certain books to themes to keep your drawings organized. Or do you even care?
These are some drawings of people we traveled with or met on the trip. They’re character sketches, so don’t look exactly like the real people.
At dinner people sort of sit in one place, but don’t pose. These are my composite impressions of people as they move and talk naturally. It’s a challenge to do quick sketches in ink (a Sakura Pigma Brush Pen), but also kind of fun. Most only took a few minutes.
Then some I gave light watercolor washes for a little color. If you’re going to do this, first be sure your ink is waterproof (one reason I like the Sakaru pens) or fix the ink so it doesn’t run (unless that’s the effect you want).
It might be fun to interpret these into fabric sometime later, like I did to this guy. Looking back to that post, I think my drawings are getting better after much practice!
…but I’ve been collecting retro melamine ashtrays that make great brush/water holders for painting. And they come in great colors (I have bigger yellow and green ones at my studio.)
This is a small one, which is good for travel, especially on a boat where your brushes might roll overboard. The watercolor pencils roll also, but at least they float when they hit the water, so you have time to dive in and retrieve them.
Also for travel, I like using old watercolor tins to carry small brushes. They work better than anything new I can find, and add a nice flavor to the process.