The Franken-Quilt

franken-quilt.jpg

I’ll tell you a little secret about my quilt that’s going to be in the upcoming Quilt National — I call it a Franken-quilt (as in Frankenstein).

I was trimming it to prepare for the binding (at about four in the morning — a ghastly time to do such a critical task) and I trimmed too much. When I pinned the binding on, I found it would hit the edge of the flower shop at a bad place – yikes!

So I dug the edge out the trash, zig-zagged it back on, and re-trimmed slightly wider. Enough that I could move the binding over a bit and the zig-zagging doesn’t show. So no one knows about the mistake except me, and now you.

Quilt National groups A, B, and C

Dale Anne asked about the coding of the artists listed on the Quilt National 2009 website. The whole show will be on exhibit at the Dairy Barn from May 23 – September 7, 2009. After that, it will travel to The Foundry Art Centre in St. Charles, Missouri — the only other venue that will exhibit the entire show.

After that, the quilts are sorted into three groups called A, B and C.  This way smaller segments of the show can travel to museums and other venues that can’t accomodate the whole show, which is quite large when taken together.

The entire collection will be on exhibit at The Foundry Art Centre from September 25 – October 29, 2009, and I’ve been asked to do an artist’s luncheon talk and then walk the audience through the exhibition on Thursday, October 8.

So if you can’t make to the Dairy Barn in Ohio, come visit the show at the Foundry in Missouri! After that, I think the schedule for the smaller group exhibits is still being planned.

Little swatches

thin_ice_test_swatches.jpg

Usually I think that once the quilt top has been designed and cut out and pieced together, it’s all downhill. Not in a bad way, but a sort of you-did-the-work-and-climbed-the-hill-and-now-you’re-on-top-and-ready-to-sail-down-on-your-sled/bike/snowboard-squealing-weeee kind of downhill. Mostly it’s like that, mostly it’s easy, fun and satisfying. But there are usually a few places that require some tough choices, a bit of nail-biting, and a lot of faith.

For those, I make test swatches to try out new ideas or stitch designs and threads to see how they interact with the patterns and colors of the fabric. But then when it comes to the real deal, it’s still a performance that requires practice, attitude, and spontaneity.

Fabric scorecard

arch_pink.jpgarch_purple.jpg

Until now, I had been proud of myself — for getting fast at making decisions and not waffling. Until I hit this pink wall of doubt. Looking at last night’s photos and drawings, I thought the pink background was too pale, so went fabric hunting and bagged some purple.

I don’t like to change background fabrics in the middle of the process — it’s a real time-waster. But after changing and studying the photos, I think the real problem is not the pink, but the too-dark river below. Besides, I like the fifties-looking texture of the pink better too. The purple has a polka-dot pattern, but they don’t show up on camera  and looks muddy = negative points for purple.

By the way, this is five feet tall. When I first started this series, my idea was to keep them small so I could finish several. But each one has gotten bigger and bigger. I guess it’s just part of the big-hair syndrome.